This is the companion to my talk Designing for Content. In the talk, I go over best practices for text layout that I’ve learned in my 15 years of designing for the web and distill them into a base typography stylesheet that you can reuse from project to project. Continue reading
For the past two weeks, in what the world can only hope will become a recurring theme, the inimitable Dan Sinker has been a guest host on the design-focused podcast Let’s Make Mistakes, one of the few podcasts that I listen to religiously (and one of the few that’s really worth a damn at all.) While it’s been a treat to listen to Dan ramble on at length about goats and the crushing disappointment of @horse_ebooks, the episodes inevitably get to a point where I’m screaming inside my head for Dan to bring up how much the topic at hand relates to punk rock. And without fail, Dan delivers. Continue reading
In early 2008, my good friends Matt and J Whitson approached me to design a logo and on-air graphics for a television show they were creating for Alabama Public Television. The show would be called We Have Signal, and it would be a 30-minute live music show chronicling the bands that came through Birmingham to play at Bottletree Cafe. As odd as it sounded at the time, these would be bands of the Whitsons’ own choosing–punk bands, noise bands, and whatever other eclectic sounds that enthused them–and with virtually no oversight from the top brass. All on public television. In Alabama.
And oddly, they got away with it. Continue reading
For the next 5 weeks, I’ll be in Europe with Wooden Wand. If you need me, here’s where I’ll be: Continue reading
I’m unsure of the exact date, but one of the days in September of 1999 was my first day at a little basement web shop called Infomedia. Today, nearly 14 years later, is my last.
It’s hard to conceive of that much time elapsing while sitting in one place, but I’m grateful to have seen the company that I met those years ago grow into what it is today. Continue reading
Last week, as President Obama was name-dropping “Seneca Falls, Selma, and Stonewall” in his second inaugural address, the web development community took up arms in a new (and obviously much more trivial) revolt: a revolt against sliders. Continue reading
This morning over coffee, I teared up a bit reading Mike Monteiro’s most recent contribution to the Pastry Box Project, a tribute to his high school art teacher, Bernard Harmon. No doubt we all have that one teacher that altered the course of our lives. Mine was a high school art teacher as well. His name was Art Ward. Continue reading
The world is full of year-end lists, and at the end of every year I discover a lot of great music from them. I’m now of the age where I wouldn’t consider myself as being on the pulse of anything besides esoteric Finnish rock and modern composers whose primary instrument is distortion, so I don’t feel qualified to summarize the importance of this year’s musical output. Instead, I’d like to offer the records that have been the soundtrack to the work I’ve produced in 2012. Continue reading
To clients, one of the most confusing aspects of the job we do as web designers lies in communicating the meaning of that pesky word “design.” It’s the kind of word that you can have whole conversations about and have both parties walk away with entirely different assumptions about what was discussed. For we designers, it basically means the totality of our work–often spanning reasearch, user identification, content strategy, sitemapping, wireframing, prototyping, and yes, finally, a visual representation of it all. To most clients, it just means “art”, as in “just throw some money at it and a gorgeous finished website will pop out the other end.”